a blog about poetic creativity*******************ALL IMAGES © Stephanie Reid for HaikuFlash


Mila Kunst and Lindner Project – Transart Institute – MFA and PhD Student Works – Summer 2014

Selected works from Mila Kunst Intermezzo #1

photography by Gabriela Gusmao

photographic works by Gabriela Gusmão

beautiful wooden floor inlay at Mila Kunst Gallery

Sylvia Adamcik2

photographic work by Sylvia Adamcik addressing our disjointed experience of the natural world

Sylvia Adamcik1

photographic work by Sylvia Adamcik

Drawing by Julia Hyde inspired by La Forêt de Soignes (The Healing Forest) in Belgium.

landscape painting by Christopher Huck

Selected works from Mila Kunst Intermezzo #3

sculpture by Lisa Osborn

sculpture by Lisa Osborn

Laurel Terlesky4

Installation (sound, smoke, video, and vinyl cutout walkway walls) by Laurel Terlesky. Several women poignantly discuss the loss of their mothers and the gradual process of being able to grasp the finality of her passing away. For example, One woman remembers that took her two months to accept the fact that her mother was not just on vacation.

Laurel Terlesky6

Installation (sound, smoke, video, and vinyl cutout walkway walls) by Laurel Terlesky

Laurel Terlesky8

Installation (sound, smoke, video, and vinyl cutout walkway walls) by Laurel Terlesky

Laurel Terlesky7

Installation (sound, smoke, video, and vinyl cutout walkway walls) by Laurel Terlesky


Selected works from

Lindner Project Space

July 27, 2014

Lindner Project courtyard

Lindner Project Courtyard

Jamie Hamilton install

Jamie Hamilton book installation documenting his learning how to tightrope walk in New Mexico

Mikkel Niemann1

film installation by Mikkel Niemann. This film diptych explores man’s competition with nature. On the left we see the artist fighting with his opponent. On the right, he sits in an outdoor installation and films periodically over a period of time so that the imposition he has created in the environment is eventually completely overcome by the elements which tear away at the homey looking wallpaper and wild animals who come and eat his apples.

Mikkel Niemann2

Mikkel Niemann3

Lindner basement

remnants from a performance installation by Rosina Ivanova. The artist practiced a feat of strength and endurance by holding up weights, with both arms outstretched to her sides, for a long period of time. Occasionally, she rings an encouraging bell. She likens the experience to the efforts of travel and immigration. All the while, a boat travels through the water on the screen behind her to emphasize the connection.

Rosinas wts

Selected works from Lindner Project Space

Alternative Maternals

August 9th, 2014

a beautiful dance performance with a rocking chair about motherhood by Jeca Rodriguez

amongst other objects, book artist and Columbia College professor, Miriam Schaer displayed throughout the gallery, baby clothes embroidered with stinging quotes such as, “Your child is the best art work you have ever made. You don’t need to make any other art,” and “Your not having children is the biggest disappointment of our life. These clothes were put on baby dolls and photographed for her book, “The Presence of Their Absence”. To see more of her work, visit: http://miriamschaer.com/

a haunting performance, “The Maternal Line” by Valerie Walkerdine which is about learning to speak with ghosts by allowing them to have a way to speak, even if they do not exist, their memory still exists within us. Her work posits how art can help us what is being transmitted to us. How can we feel with the other as the womb conveys sound? She often uses threes in her work, for example a performance will begin with 1) a lost spirit not at peace,  2) entering the underworld as a half-being, 3) release. Her opening to this performance was to slowly walk through the gallery towards the winding staircase leading to the basement, all the while singing solemn atavistic sounds similar to Lisa Gerrard from Dead Can Dance. When she reaches the ground floor, a projection of close ups of dancers moving around on the ground is screened behind her. Suddenly, the image is flipped to look like they are crawling around on the ceiling. Valerie sings and shouts eerily as if in turmoil. A new scene forms and the focus is on a torso shot of a young woman in a red leotard being pushed back and forth between other dancers in black. They gradually work her into a frenzy until Valerie screams and pleads for it to STOP! STOP! The scene fades away into white with a blurred figure dancing there.  Now in a white leotard, Valerie dances in front of the screen, which creates strange juxtapositions between her brightly illuminated limbs and her silhouette. The mood lifts as she boisterously sings, a song about her Chiquita being sweeta, singing to her burro and how people will think her a fool.  She stated that she uses songs that are important to her mother and grandmother in her works, so maybe this playful song was one of their favorites.

photo collages created by Deborah Dudley  ~

Deborah Dudley

postcards from Brain Candy series by Deborah Dudley working in conjunction with her daughters

SomoS Gallery Berlin – Transart Institute MFA Students – Open Frame Popup Show

All images copyright © 2014 by Stephanie Reid.

SomoS is on the 1st floor of corner building in the Kreuzberg neighborhood of Berlin. It is a large space flooded with soft natural light and a relaxing gathering room with bar in the back. The show on August 2, 2014 featured artists from 1st, 2nd, and graduating MFA classes, as well as, work from artists represented by tète gallery in the Prenzlauer Berg neighborhood. Putting work in the show was optional for students and were were asked to bring simple, fun works. First year students were told about the show shortly before it happened, so our work was either  made in Berlin or was work that had already been brought for presentations at school. Considering how impromptu it was, I think it turned rather well! Sadly, I did not get images of all the work in the show, but this is a sample.

SomoS bldg

SoMos corner

1st floor

SoMoS entry

SomoS buzzer

Here is the description of my piece (first of images below) which I created for the TI workshop, World as Sculpture. The assignment was to bring a sculptural artwork you have made but feel is not quite complete, then discuss how to make it more sculptural using modeling. I had previously made a set mixed CDs for a Leo friend in Los Angeles. I titled the compilations, The Moon and a Lantern for more mellow tracks and The Sun and a Lion for more upbeat tracks. The compilation titles were named specifically after the cover art illustrations I drew for them, using scribbled circles for the heavenly orbs and the origami folding line pattern for the object not seen in the drawing, but referenced in the title (lantern and lion). To see those images, visit: https://haikuflash.photoshelter.com/gallery-image/Other-Illustration-and-Mixed-Media/G0000xdw0IFgWFaE/I0000qtO9L770Cqw/C00000PRsirHYLFo



  Along the same lines, I created this illustration created for a world music compilation I also selected the songs for. I infer three-dimensionality by layering origami fold lines for a pine tree on top of the world map image. In response to the exercise, I stated that to make it more sculptural, I would fold (model) the illustration into its intended shape. The pine tree can then be set upon the circular song list that normally lies under the CD, to transform from packaging design to sculptural artwork.


The Earth and a Pine Tree, CD compilation and foldable cover art by Stephanie Reid

Layered and cutout paper illustration of Earth with pine tree origami folding lines

Track list

The Earth and a Pine Tree, song selection and folded cover art


Lindy's painting

painting by Lindey Anderson

Lizs prints

prints by Liz Carré

Beauty Baco

positive film by Beau(ty) Baco


photo montage by Analia Sirabonian

translation = bad dog. This installation shows all the products the artist used to try to get the smell off of her dog after it had bothered a skunk.

translation = bad dog. This installation shows all the products the artist, Deborah Dudley, used to try to get the smell off of her dog after it had bothered a skunk.


marriage cocoon performance by Mariana Rocha and José Drummond

back of dress

marriage cocoon performance by Mariana Rocha and José Drummond

brides face

marriage cocoon performance by Mariana Rocha and José Drummond

unraveling the marriage cocoon performance by Mariana Rocha and José Drummond

unraveling the marriage cocoon performance by Mariana Rocha and José Drummond

Marions rocks

gold painted lava rocks by Marion Wasserman

skeletal watercolors

watercolors by ? with ivy dance performance by Claire Elizabeth Barratt

Clare as Ivy

ivy dance performance by Claire Elizabeth Barratt


ivy dance performance by Claire Elizabeth Barratt

Jayes drawings

mixed media works expressing a turbulent sibling relationship by Jaye Moscariello


embroidery and oil on paper by Kelly Reyna Mackh, whose work expresses the experience of raising an autistic young son

KJs sign responses

markings by KJ Schumacher

remote crucifix

remote crucifix by ?

Nicolas Cage talk

Andrea Spaziani and Allen Ferguson talk Nicolas Cage

Ethiopian funerary robe

Ethiopian funerary robe installation by Konjit Seyoum

Asher and Konjit connect

Asher Mains and Konjit Seyoum share experiences relating to her installation

Gabriel's landscape

landscape print by Gabriel Deerman

Joses film still

film still by José Drummond

intentional water

Intentional Water by Honi Ryan

Honi and Abdul

Honi Ryan and Abdullah Khan review their notes after playing a relational game together


SomoS bar

VW fun

colorful VW car outside the gallery


willows on the Spree

Andrea Spaziani sent postcards to participants who had previously expressed interest in her community dance project. Each card had a one sentence description of a type of dance that could be performed. During the course of the opening at SomoS gallery in Berlin this summer, she performed her own versions of each instruction.

To end the night, attendees were treated to a live performance by Transart advisor, Lynn Book, of the Dada vocal sound piece Ursonate (primeval sonata) written and developed by Kurt Schwitter between 1922 and 1932. The poem was a favorite of Transart Institute co-founder, Klaus Knoll, who suddenly fell ill earlier this year and passed away just before the summer residency began. Book honored his memory by flawlessly guiding us through sublime and sometimes comical soundscape.

The Last Enchanted Forest Easter


In my mind, the Enchanted Forest will forever be the heart and soul of Austin, a secret landscape in the middle of South Austin where artists, musicians, dancers, teachers, and mind explorers from all over the world have come to commune for over a decade. I remembered entering the forest in the fall of 2005, in response to their spray-painted-sign-on-a-sheet calling for help with the annual Haunted Trail event. Halloween is my favorite holiday and I’d been itching to be an actor in a haunted house for years. I’m always the one in the front of my line, blocking and dodging demons so my screaming friends can get by, so I figured I’d be good at scaring people, too.

I’d just moved to South Lamar and the Enchanted Forest, Zilker, Flipnotics, and my workplace, the Dougherty Art School were all within an easy bike ride away. My rent was $399 including giant community gardens in the courtyards. So, I rolled over there on my imitation BMX from the junkyard and took them up on their friendly invitation. The volunteers had convened inside a patio and I recognized some people I knew. Baruzula, a legendary Austin fire spinner, textile, and body artist and Johnny Slug, another well known character in town, who was a DJ at my favorite early 90’s industrial and electronic music club, Ohms. Hurricane Katrina had just brought many refugees to Austin and several street performers and musicians from New Orleans were staying at the forest in tents. I imagine this made the environment even more circus-like and stimulating than it already was. Plus, a Cajun cook was ready and willing to prepare delicious food for everyone!

For the next few weeks we prepared to freak people out. The event ran for a few weekends and I got to be four different characters. Some of the highlights were as follows. Imagine walking through a pitch black tunnel in the Forest at night, someone may or may not jump out at you, but either way you rush to get back into the moonlight. When you emerge, a path leads you to stepping stones over the stream towards a shack where a country woman is rocking herself on the porch. As you get closer, you see shelves of apothecary jars containing formaldehyde and creepy looking things, bones, claws, and innards. She stands up and you can see it is a man disguised in a straw bonnet and dress, sharpening two large knife blades together, beckoning you, blood curdling wailing and pleas for help come from behind the shack. As he/she walks towards you with the knives and you scurry down the path, from the direction you are heading, a shirtless man with piercings and scarification covering his chest and a white haired, twisted faced mask starts his chainsaw chases you shrieking down the path…You stroll along and catch your breath as you walk upon an alter attached to a tree in the middle of the path. A shelf is nailed to the tree to hold voodoo baby dolls, dead roses, and other manner of eerie accoutréments. The two trees flanking the alter tree hold two scarecrows. Beyond the trees is another wooden shack. Reluctantly you creep towards the building as the path goes through the entrance door and out the exit door, which you can see from where you stand. Suddenly a deep growling voice calls you by name and demands to know, “What are you doing here?!!!” You hear, “Get off of my property!” as one of the scarecrows leaps from the tree and continues to angrily berate you as it edges you into the dark tiny house. A bathtub full of blood awaits and a reanimated corpse of a girl emerges. You jump to the other side of the room and slink towards the exit as she beseeches you with outstretched dripping bloody arms and hands to come closer and bring her favorite toy with you. She cries like a dead-eyed doll as you leave without appeasing her. You soon encounter a John Wayne Gacy look-alike in a black light illuminated tent spray painted with fluorescent obscenities. You block out what happens inside and emerge feeling as if your consciousness has just blacked out temporarily. You almost forget you are on a haunted trail until you come upon a skeletal witch doctor with shrunken heads, toadstools, and a steamy cauldron that she wants you to stir. She seems harmless enough so you allow her to coax you into assisting her. She tells you story but never finishes because in mid-sentence the cauldron tips over to reveal a heathen man grabbing at your ankles to pull you into his pit of despair. They both cackle and curse as you get away by running across a metal bridge passing over the creek. When you are halfway across, a troll bangs on the underside of it with a hammer, which almost give you a heart attack! Just as you cross over, a human sized raven jumps out from behind a tree, croaking menacingly at you for waking it up. It practically pushed you out of it’s territory and you see the exit is near, but one last dreamy surprise awaits you before you make it to the end…A stilt-walker in large billed bird mask tries to envelop you in its shroud so you can never leave.

It was the best haunted production I’ve ever seen and it was a total blast. I never knew I could do those things with my voice. I scared myself a little as I played a tortured girl behind the shack, the scarecrow, undead girl in the tub, and raven.

Halloween parties were hosted for days. Shows consisted of fire, hula hoop, and Butoh style dancing. A suspension ritual from a high tree was undertaken by the Cajun cook. Vaudeville musicians and jugglers in black and white stripes made us laugh. DJs spun as we danced under the stars in our costumes…til the next event…

Art Outside, the festival now held in Apache Pass, Texas was started right there at the Enchanted Forest on Oltorf. In the spring, the spooky took a backseat the fresh ideas and collaborative efforts of artists all over town. Installations, bands, and food sampling were sprinkled throughout the woods for guests to enjoy in the dappled sunlight. At night, mysterious Baruzaland shadow puppet shows were presented on a giant screen with live instrumental accompaniment. Afterwards a lively dance party broke out as, The Emeralds, a rambunctious surf punk outfit who were visiting from Japan, rocked the stage.

I only experienced the Forest for a short while, but those were my favorite months in Austin. The Enchanted Forest was the last bastion of free spirits in our beloved town before it became what I see it as now, a pretty big city. Shortly after my time in the Forest, I ran off to Paris with one of the French NOLA refugees and then to live in Asia for three years. When I returned to Austin, it was shockingly different than it had been in the past 15 years I had lived here. It took me a very long time to find a full time job, despite knowing people all over town, and rent prices were unfathomable to me. I considered going back overseas, but my family of friends are here and I didn’t want to lose touch with my home for any longer than I already had. I made the decision to tough it out because although it’s getting more crowded and expensive, the arts are still alive here. Culture and nature are still valued. It just doesn’t feel as loose and free-spirited…especially now that the Enchanted Forest must close its gates. We fear for the trees and the water there. We are sad that the wildflowers will lose yet another patch of soil to grow as it wills. The birds will still be able to perch in the heritage oaks though. It would be illegal for the new owners to cut down hundreds of years old trees in Austin. (See https://www.austintreeexperts.com/blog/austin-heritage-tree-ordinanace/)

Since I returned from my sojourn, friends of the Forest, including myself, met with city officials, trade members, and community spokespeople, to try to come up with a plan to continue hosting events without getting fined by the city for code violations of this or that sort. The expense of readying it was too much and the property taxes got too high. The most generous proprietor, Albert tried to find a non-profit or community organization to purchase the land, but none could pay a price to sustain him and his family. He has grandchildren now and is planning to start a small farm just a short drive out of town. Eventually he agreed to sell it to developers, who could afford to pay the price he needed for his next chapter. So despite the loss, we are happy that his lovely family’s future is still bright.

And so it goes…I spent the evening of the last Enchanted Forest Easter in this gem of a green space. To allow the forest creatures to convene in the forest one last time, the Forest family threw a big Easter party. I didn’t arrive until nearly sundown, as bunnies are wont to do, but I could tell from the crushed cascarones and confetti strewn about everywhere, that it had been a huge success. Rowdy children wanted to smash watermelon rabbits as if they were pumpkins. Adults lolled around on a bright AstroTurf blanket pleased with the perfect temperature and absence of mosquitoes. I said goodbye to old friend wishing it a positive future as I wandered through with Himalayan protection incense, ring

Now the hardest part comes. Even those who don’t live in the Forest, but are sensitive to its presence, will have a grieving period as bulldozers and concrete take it over. For those who do live there, it must be agonizing. I see in their eyes that they are still trying to release it, some with more ease than others. We have to get used to the fact that Austin will never be the same as it was pre-2006. Many of the people, such as artists, craftspeople, restaurant workers, and gardeners, who made this city appealing to the people who moved here in the past 1-5 years, are getting pushed further and further away from the center. Rents are just too high now. Wages are not getting higher congruently. Many jobs for artists are now being done with free labor known as the unpaid internship. We are not able to make a living in our fields as easily as we were able to before. However, there is a lot of talk lately by the city and grassroots organizations about getting more affordable housing for artists and musicians, initiating rent control, and putting regulations on unpaid internships because what will Austin become if we can’t live here anymore?

This is a call to all who value community, culture, art, music, poetry, nature, health, and good food to be sure you are nurturing those treasures as often as possible. Teach people, who are not familiar with their value, to open themselves up. Welcome them. Show them there is a way to be free. Let the spirit of the Enchanted Forest infiltrate the city, so that the healing powers of creativity and authenticity rule the great city of Austin, Texas y’all!




Gloria’s Nightlife

Gloria’s Salvadorian restaurant in the Domain hosts a salsa night every Saturday with a fantastic band (La Mona Loca Orquestra) and DJ C. Devast8. For Halloween weekend, they held a costume contest with $1000 prize for a male and female winner. The costumes were as great as the prize. If you’re interested in trying it out, but don’t know how to salsa yet, there’s a dance instructor at 10:30.

This slideshow requires JavaScript.

Austin Powwow 2011

While standing at a food shack waiting for breakfast, I watched airplanes make vapor trails in the sky. Suddenly, a peace pipe formed. It was a sky sign for the 20th Austin Powwow! If you have never been, it is every first Saturday of November. There are storytellers, dancers in full garb, frybread and buffalo chili, corn, and many vendors with books, beads, and art work created by various Native Americans. It’s free and takes place at the Tony Berger Center from morning til night.

This year’s powwow was blessed by gorgeous weather, although a bit windy at times. I couldn’t stay as long as I normally do, so I barely saw any dancing. Instead, I spent most of my time in the storytelling tent.

The first storyteller was Sequoia, a patrilinear descendent of the famous Cherokee, Sequoia, who invented the Cherokee alphabet in 1821 and started the Cherokee / English newspaper, Cherokee Phoenix. He sang and told the story of ‘One Drop of Blood’. Next he revisited a funny story his grandmother told him that starts, “In the great forever that was, the forest dwellers all spoke Cherokee…” To hear these tales, visit http://youtu.be/zffxj-gEQ8oy and http://youtu.be/kgdVpAI-IG0

Last, told a scary story about going his friend daring him to go into a house they were sure was haunted. Slowly, they approached the spooky house and walked up the creaky steps. They opened the unlocked door and peeked in, using a lighter to reveal a casket leaning against the wall! After being goaded, Sequoia followed his friend into the pitch dark house, only using his small flame to lead the way. As it got hot in his hand, he had to continue on in the dark. Still, their curiosity got the best of them and they crept towards the casket, determined to discover what was stashed inside. Sequoia, being the braver (or more gullible) of the two, reached his hand out and recoiled as he touched a piece of fabric. His friend urged him to use the lighter again, so that they could see what it was. They took a deep breath as he flicked the flame up. Their eyes got big and the started laughing wildly at the pool table illuminated before them!


Following the entertaining Sequoia, was another Cherokee, Choogie Kingfisher, of the Ketoowah Band. He also made us laugh with his rendition of ‘The Rabbit Goes to Church’. Rabbit decides to go to church one day and try it out. As he pushes open the door, it squeaks, so that when he gets inside, everyone is turned around staring at him – a whole congregation of big, unwelcoming dog eyes. He looks to the back to see if there is a spot he can just sit in there, but it’s filled with dog tails hanging up so that they can sit more comfortably. Nervously, he tries to find a spot to sit down. Every time he squeezes into the end of a pew, the dogs squeeze him out into the aisle. Indignant, he storms out determined to get the dogs back.

Now rabbits are good at pulling pranks, so it didn’t take him long to plot his revenge. He rolled up a giant cigar, took it over to the church, lit it up, and blew the smoke in huge plumes through the door, yelling, “Fire! Fire!” All the dogs panicked and jumped up out of their seats grabbing any random tail as they raced outside. That’s why to this day dogs chase their tails to see if they’ve got their own and sniff each others’ to see if someone else has theirs!


One of the most fascinating First People dances is the hoop dance. It takes great coordination to pull off a performance. Ryan Harjo of the Creek Nation demonstrated and described several common configurations created with the hoops. He also played a courtship song on a mellow sounding cedar flute. The video can be seen here: http://youtu.be/1FrjIaFYOis

Ryan Harjo Demonstrates 'The World' Configuration of Hoop Dance

Ryan Harjo Demonstrates 'Flower' Configuration of Hoop Dance

Ryan Harjo Demonstrates 'Tornado' Configuration of Hoop Dance

Ryan Harjo Demonstrates 'Eagle' Configuration of Hoop Dance


Finally, a Cherokee family, in traditional garb sang and described their clothing. The women were wearing “tear (pronounced tare) dresses”. They are worn for working in and were named such because they didn’t have scissors at the time they were first made. The fabric had to be torn instead. They are usually adorned with seven triangles symbolizing the the seven original clans of the Cherokee people, wolf, wild potato, paint, blue, long hair, bird, and deer. Sometimes there are 14 triangles to represent the Cherokee clans before they split apart and became the Iroquoian tribes.