a blog about poetic creativity*******************ALL IMAGES © Stephanie Reid for HaikuFlash

Latest

Walking in the Footsteps of Ancestors at Martin’s Woods

My matrilineal line hails from SE Wisconsin. Although I moved to Texas in with my mom in the summer between kindergarten and first grade, I spent all three months of my childhood summer vacations there, with my grandmother, who I nicknamed Granna, and mom’s stepdad, Grampa Louis, here. Once a week we would make trips to Milwaukee, where my great-grandmother, AKA Gammy, and great-aunt Betty lived, to help them run errands since they were unable to drive and quite frail. When Auntie Betty died in 1981, Gammy moved in with Granna and Grampa, so I was able to spend even more time with her. In adulthood, I went to college in Chicago and would take the train to Wisconsin to stay with them. I was a film student, so recorded hours of storytelling by Gammy and made my first films of her and Granna.

Gammy’s maiden name is Rita Martin. She was the daughter of Everett Martin and Ida Stickney. Ida inherited some land in Big Bend, WI in the late 1800’s from her father, but being the time that it was, she had to have a husband to own it on her behalf. Her and Everett were married and they turned a large portion of it into a farm homestead called Waukowis Farms (for Waukesha County, Wisconsin) where they raised dairy cows, harvested and produced maple syrup, and grew other crops. According to a copy of a May 21, 1944 newspaper article (publication name unknown), GGG Martin learned land conservation from his father- in-law. While many other men in the area clear cut their land, and often were left with no adjacent woodlots, the Martin-Stickney family just took “what was needed to use” for building and fires. He also sold cords for others home use. When a railway company wanted to cut down some of the woods, he offered them a large sum of money not to. Instead they insisted, but paid him about half of what he’d offered them, as recompense.

Gammy’s brother Sid took over the farm and land after Everett died, but had to sell the land in the 50’s. It’s not clear to me if the new owner’s purchased the woodland that hadn’t been farmed or if it was given over to the local government at that time. In any case, whoever owned it after our family left it alone, as Everett and Sid had. Eventually the Waukesha Land Conservancy was formed and took on stewardship of these woods, as their first property, in the early 1990’s, and in 2002 they became designated as a state natural area.

Granna and I drove by the old house and woods a couple of times when I was up visiting, and she let me know they were named after our family, but we never walked through them. I remember thinking they seemed mysterious and I felt curious about them, but I wasn’t yet familiar with roaming around in the woods. Granna taught me about our feathered friends through birdwatching and plants through gardening. They had a five acre plot with several beds created by stacked stones and railroad ties. There are certain plants which remind me of her to this day, purple irises, yucca, standing cypress, purple globe allium, moss roses, and many more. As I grew I continued to learn about the outdoor world and its inhabitants, primarily from taking photography on nature walks and gardening, then doing research to learn about the subjects I photographed. This has expanded into using motion pictures to explore my relationship with nature, usually by creating short films I consider to be video poems.

I am an avid reader of fiction and non-fiction. A few years ago I read Robin Wall Kimmerer’s “Braiding Sweetgrass” and learned she is a member of the Potawatomi tribe, which lived in the SE portion of what is now Wisconsin, I wondered if her ancestors had interacted with mine, and if so I hoped they didn’t have animosity towards each other. I thought about the Martin’s Woods and when I searched online for information about them, I learned about WCLC’s stewardship. I saw on Facebook that they guide people through the lands they steward, so I sent a message asking if they planned to give a tour of the Martin’s Woods anytime soon. I was given the contact information for the Land Management Director, Helen Holtz. Life happens and so, I didn’t get around to messaging Helen until much later. When Granna passed away, my mother was left with all of the amazing geneological materials Granna had gathered over the decades. Mom recently asked me to take them and then I learned more about the history of the Martin’s and Stickney’s and their land. I suddenly felt the urge to visit Wisconsin again since it had been about 12 years. If a tour of the Martin’s Woods was in the books, then I would make the trip…

I gave Helen a call and she let me know they were indeed planning a walk, with an ecologist, Aaron Feggestad, on May 10th, a day before my 55th birthday! We were both excited to talk about our connection to the woods and that I would be able to join her and the group. I booked our reservations for the “Spring Ephemerals” and the rest of our trip, glad to have such a wonderful reason to go back home. I don’t know any of my relatives there anymore, but I consider the land my home too. The Kettle Moraine area has such sweet rolling hills and soft light. Granna helped manage the beautifully wooded golf course and country club there, so I also spent a lot of time under a lovely willow whose leaved limbs swayed over the putting green and riding through the trees on a cart. I was looking forward to hearing the sound of Red-winged Blackbirds.

The temperature was perfect when we arrived at Martin’s Woods and there were about a dozen attendees. The leaders let us know that there are 272 species of plants in the 32-acre forest! We learned that spring ephemerals are plants who are only in the reproductive stage for two days to two weeks and this was an excellent time to see many of them. There was a dead deer near our meeting point, but not near enough for us to smell thankfully. It was the perfect introduction to the first plants we met on our walk—dark red, prairie trilliums (below), which are named after the region, not the ecosystem, and mimic the color of decaying meat to attract beetles and flies that will help pollinate them.

Fuzzy wild ginger uses this color strategy, too.

So does white trillium, by tinting itself dark pink as it ages, if it hasn’t been pollinated yet.

Because the Martin’s Woods are partially a mesic environment, meaning the soil stays moist, water loving Jack-in-the-pulpit grow well there. Our guides shared that they are hermaphrodites, in that they can produce a male or female flower from year-to-year. This might be due to how successful reproduction was the year before. Male flowers can be identified by small holes at their base, making it easier for small flying insects to enter and escape the deep shaft with pollen on them. Females are much more difficult to exit from, so in a frenzy to get out, pollination is likely. This bisexual plant is also sometimes referred to as Jill-in-the-pulpit.

Another plant I was surprised to see on the forest floor, even though it loves dampness, is maidenhair fern. In Texas I usually see them growing on rocks near running water. They also had pinkish-purple stems, instead of black like the Southern maidenhair, which is common here. Finally, the leaves were slightly different, in that the scallops on the leaf edges are more rounded instead of feathery looking.

Wild leeks grow here, but because of over harvesting, it is now illegal to do so in Wisconsin.

Mayapple plants have a symbiotic relationship with turtles, especially box turtles. Their flowers are low to the ground and when they go to seed, the stem hangs even lower so that turtles can reach them to eat. Their digestive systems help speed their germination before depositing it onto the soil. It takes seven or more years for mayapples to grow two stems, before that they are not able to produce flowers. The whole plant is poisonous, except for the ripe apple.

Although the forest is populated by many oaks, ash, basswood, and maples, it also contains another life form I was not familiar with before—Kentucky coffee tree. While not an actual coffee plant, the seeds can be roasted and brewed as a caffeine-free coffee substitute. They are poisonous when not roasted and their leaves and wood is as well.

Other interesting tidbits revolved around insects and invertebrates: 1) The bumblebees buzzing in our midst were all females. They have been carrying sperm since last year but will only allow herself to be pregnated just now when the flowers are in bloom. They build hives in mole and vole holes. 2) In an act of myrmecochory (new word to me), ants inadvertently disperse ginger seeds because they have sugar packets attached to them, which the insects love to eat. 3) Sedge grasses (image below) such as the Carrix jamesii and Carix woodsii here have fine roots that when they decompose, make quick organic matter for ants. 4) Native worms are tiny. Larger worms, sometimes brought to nearby homes and facilities to compost are invasive and damaging because they destroy fungi and leaf litter, which local insects rely on.

Although my relatives have passed away, I still love SE Wisconsin because the land is my family too. It was wonderful to get a chance to walk where my beloved great-grandma and her family did a century ago. I understand now where her love of plants comes from, violets and geraniums (her “posies”), which were blooming while we were there. I’m so thankful that she and her daughter passed on to me the importance of caring for green beings, that her ancestors conserved this land, and the kind people at WCLC welcomed me on the spring ephemerals outing.

I feel incredibly lucky to have been able to walk through Martin’s Woods with such knowledgeable guides and fellow guests. Had I gone on my own, I would have missed out on learning interesting facts like plant names, how the plants and animals interact there, and their survival techniques. This depth of understanding brought the place to life more than a walk alone would have, especially since the wild plants here are so different from the ones that grow in Texas.

I hope that the next generation will continue to cherish the wild areas like Martin’s Woods in Wisconsin. These are refuges for our non-human cohabitants. The ways they provide for us should not be underestimated. Although humans tend to gravitate towards developed areas, if we learn to need less, we are leaving resources for the beings who clean the air we breathe, pollinate the food we eat, give us medicines, and more. Thank goodness for people like WCLC, and its members, for putting their energy and resources into sustaining wilderness.

Spring 2025 in Tennessee

I have been following the Icelandic band Múm for about 12 years, but had never had the pleasure of hearing them perform live. Last year they posted that they were going to be playing at the Big Ears Music Festival in Knoxville, TN this March. When I saw the rest of the lineup on the BE website, I was very interested in the wide variety of genres and experimentation of the bands included. Happily, I was awarded an artist’s scholarship to attend. The donors who sponsor the scholarships hosted a breakfast mixer and even the founder of the festival, who also produced Bonnaroo, attended! An online group chat was also set up so we could share more about ourselves and try to meet up during the weekend. I met some really talented musicians and artists there.

The festival was so different from other festivals I’ve been to and I found the city to be sweet and accommodating. Musicians played at various venues including standing rooms, churches, auditoriums, art spaces, and lavish theater palaces. Most of the locations were within walking distance from each other and they also had shuttle services. We were never turned away from a show. Even if the lines were long, a lot of people would leave after 3 or more songs, to catch another performer, and then those who were waiting could file in. The name Big Ears seemed to fit because audiences were thanked, during several concerts, for their attentiveness.

As a piano player and keyboardist, I was drawn to experimental grand piano sets by Amaro Freitas, Eliza McCarthy, and James McVinnie. McCarthy played a stunning solo show, where her fingers glided so deftly over glissandos that it sounded like more than one person creating washes of sound. She also took turns with McVinnie playing an organ piece, 133 Years of Reverb, written by Jonny Greenwood of Radiohead, one of my top favorite bands. A circular composition lasting several hours was meant to enliven the cathedral it was played in, St. John’s, which has stood there for 133 years. We attended a portion of the set which was a slow but active drone.

I fast became a fan of trumpet player Ambrose Akinmusire after hearing his solo set in an intimate chapel. Not only because of the spareness of his songs, but also because it struck chords in me, my musical brain kept embellishing and branching off of his playing. I don’t recall this ever happening before, so picked up some of his albums to see where they will take me as I play on my keyboard.

We finally got to see Sun Ra Arkestra!!! Why has it taken me so long? What a fun, versatile, and ultra-talented band! Vegas! Why does this band not have a residency? They deserve all the booked rooms and all the gold that goes with it. P.S. Don’t forget the dancefloor. 🙂

Another person that drew me to the festival was Yuka Honda performing under the moniker Eucadamix. While she didn’t play anything from the album of hers that I own, she seemed to fully be improv’ing with various sound pads and her laptop, backlit by purple lights. I found a segment where she played a recorded piano piece through a cheap speaker into a mic, delightful! How she makes this interesting to watch is part of her mystique. The sounds felt like future wilderness and we stayed through the whole thing. Being set in the garden room of the Knoxville Museum of Art with large sculptural installations and giant windows helped round out the experience.

***101 Sound Odyssey*** Nels Cline on guitar, Immanuel Wilkins on sax, and King Noli on drums, keys, and vocals + Jamaaladeen Tacuma on funky bass. We loved them and wished we hadn’t missed part of their set, but such is the Big Ears conundrum and joy – there are so many excellent bands overlapping that it’s hard to choose who to sit in on, but no matter who you see, you will enjoy it. There are also one-time collaborations like this, making the festival special indeed.

One such interaction was Suss, hailed as experimental country music played with Immersion, Colin Newman from Wire and his wife Malka Spigel, to form a new combo called Nanocluster. Sadly, we missed it, but we did catch Immersion. I loved the video footage, with effects, playing behind them. It felt like a big road trip around many different environments, especially with their driving, dancey, electronica mixed with live guitar, playing along to it.

Similar videos were projected during the Mark Guiliana, a one-man band extraordinaire. He played tender piano, tibetan cymbals, abstract drum kit breaks, prerecorded samples and made live loops. You know those big bundles of large seeds that Brazilian and African bands shake for percussive sound? He had those, but they were made out of empty medicine bottles. He passed some of the smaller ones into the audience to participate in his last song. Super engaging guy.

Perhaps you’ve seen Indonesian shadow puppet theater and gamalan players. Singer and dancer Peni Candra Rini takes those traditional forms further, with her collaborators, to share emotive personal stories about her life in Java and the lessons of morality and heart that her family and guru instilled in her. I would say her captivating singing style is a seamless blend of opera and various Eastern styles she studied.

There was so much other music and visual art that we were lucky to catch, but I’ve got to go to bed and still haven’t talked about Múm, who were the last performance of the festival for us. They played the Bijou Theater, one of the posh older venues. The lighting was atmospheric with changing iridescent colors and fog. The band members had otherworldly stage presence ranging from spritely to eerie, to folksy, to a sort of B-52’s style kitsch. I hadn’t ever watched videos of them on Youtube, so it was a surprise to see how they all looked and performed. The crowd cheered when recognizing pieces that put them on the world map, from their first album “Yesterday Was Dramatic-Today is Okay” and proceeding “Finally We Are No One”. They played an array of songs from their catalog though, including a sampling from their new, very different “History of Silence”, which I am looking forward to listening to all the way through.

Food! If you go to Knoxville, look up Matt Robb’s. It’s a hidden little biscuit sandwich shop across from St. John’s. Those were tied for the best biscuits in the South with Cagney’s Kitchen in N.C.! The line was long, but we got to hang out with our hometown hero, Thor Harris and some people we had seen perform at other shows. I had a premonition that I would see one of them in line, bassist Shazad Ismaily, who played at the Peni Candra Rini show. As soon as we got in line he walked up! He suggested we collaborate some time. You never know!

Another meal I was surprised by was a The Riverstone Family Restaurant in Townsend between our BnB in Maryville and the mountains. I ordered chili and it was exactly like my grandpa’s recipe. My family always made that recipe when I was growing up. It’s interesting to me that this is Cherokee country and he told us he was part Cherokee, but I haven’t seen any TN in our family tree.

A big reason I think Big Ears is so lovely, is its proximity to the Great Smoky Mountains, Spruce Flats Falls and Middle Prong Trails. Vast natural places like that are humbling. We were lucky to spend two refreshing days hiking in them, and caught a couple of sunsets there on other nights. The few cell phone photos and sound recordings I took of the concerts aren’t high quality enough to share here. I just documented for my own recollection. Instead I will share my photos of the national park, which I took with my SLR. View as a slideshow below or click on them individually to see them larger.

Tune in to Green (nature short film series) Exhibition Three – *Now Showing* online, June 2021

Our sister organization, Diorama Room Arts has just made its, Tune in to Green – Exhibition Three live! The online show features 80-minutes of short films, under five minutes each, by artists who create in dialogue with nature. Artist statements and bios are also included. This show if full of color, music, and is decidedly rocky. The works include animation, 16mm film, and video. The trailer and rental link are below.

Featuring: Rachel Wagner – Columbus, Ohio; Jérémy Griffaud – Nice, France; Jay Roff-Garcia Venezuela & Austin, Texas; Anne-Katrin Speiss of New York, filming in Utah; Heidi Landau and Becky Mendizabal of Austin, filming in Utah; Stephanie Reid of Austin, filming in Bastrop; Jane Mast filming in Florida; Barbara and Dallas Rychener of Ohio filming in South Carolina; Lizzie Palumbo – Jeju Island, Republic of Korea; Asher Mains – Grenada, West Indies; Todd Rychener – Austin; gwen Charles – New Jersey; Anne Sophie Lorange – Norway; Dave Fields – Alaska; Roberto Turani – Milan filming in Tuscany and Lombardy; Florian Maricourt – France; Anna Bierler – Amsterdam; Elly Cho of New York and Seoul, filming in Thailand; Tina Šulc Resnik – Ljubljana, Slovenia; Wilson Kuzhur – Kerala, India; Salvatore Insana and Elisa Turco Liveri of Rome, filming in Cessalto; Deborah S. Phillips – Berlin; Emilie and Ralphe Crewe – Vancouver; Melissa Lockwood – Yavapai, Arizona; Maximilien Proctor – Berlin; gibberish – Los Angeles; Anna Berendsen – Geertruidenberg, The Netherlands; Laura Gillis – Toronto

There is a small fee to get a 72-hour streaming rental. However, starting your ad-free Vimeo account to view the show is free, and easy. Here’s how to get yours started: After you click the “Rent $7” button, it should ask you to Join or Log in. Enter your name, email address, and a password, then click “Join with email”. It will either log you in right away OR ask you to check your email for a message from them to confirm it’s really you.

Enjoy and please leave us a comment or like there after you watch it. Thanks!

https://player.vimeo.com/api/player.js

Tune in to Green online short film series – Exhibition Two *Now Showing*, March 2021

Tune in to Green – Exhibition Two, features 60 fascinating minutes of video, animation, poetry, and sound created by 19 artists + supporting crew, whose practice is in dialogue with nature. Featuring: Jan Adamove filming in Slovakia and Croatia; Rachel Glasser, Stephanie Reid, Brooke Gassiot & Kate Csillagi, and Dane Rougeau – Austin, Texas; Mélissa Faivre, filming in Haarlem, Netherlands; Mateo Vargas filming in Costa Rica; Tamara Maksimović – Bosnia and Herzegovina; Manuel Rossi and Dario Ricciardi – Argentina; Jody Zellen – Los Angeles; Orsolya Gal – Romania; Linda Duvall filming in Treaty 6 Lands (Canada); Gwen Charles – New Jersey; Enrique Cabrera filming in Seattle; Muriel Montini and Calypso Debrot – France; Daniel Lofgren – New York.

There is a small fee to get a 72-hour streaming rental. However, starting your ad-free Vimeo account to view the show is free, and easy. Here’s how to get yours started: After you click the “Rent $7” button, it should ask you to Join or Log in. Enter your name, email address, and a password, then click “Join with email”. It will either log you in right away OR ask you to check your email for a message from them to confirm it’s really you.

Enjoy and please leave us a comment there after you watch it. Thanks!

Submissions for Exhibition Three are due by May 2nd at https://dioramaroom.com

Professional, semi-pro, and amateur video makers (even using cell phones on FHD mode) are encouraged to submit experimental, animated, vignette, and abstract films that create a dialogue between humans and nature, with a max. running time of 5-minutes.

Open Call for Short Films and Animation

There are still a couple of spots left for the second online exhibition of “Tune in to Green”. If you have a project that features nature and is 5 minutes or less, see the poster below. We have artist talks and help promote your work on social media. Some artists will also receive a small gift for helping us increase viewership. We assist those who have quality footage, but do not have editing tools, for example if you shot your footage in FHD on your cell phone. The call is open to all styles of film making – experimental, abstract, animated, and documentary all welcome. There is no entry fee. Our goal is to share our experiences in the out-of-doors during this time of social distancing.

New Online Fest of Short Nature Films

Tune in to Green is a new series of video shorts created in 2020 and features experimental, animation, video poems, and high-quality footage by eight artists filming from Santa Fe, Austin, New Zealand, New York, and Canada. Stephanie Reid – Austin, TX; Fumihito Sugawara – Austin; Todd Rychener – Austin; Kathryn Alvarez – Vancouver Island; Beau Baco – NYC; Claudine Metrick – upstate NY; Jesse St. Louis and Samantha Andress – L.A./New Zealand; and Jane Sanders – Santa Fe. All videos 5 minutes or less. Total running time: 24 minutes

See the trailer or click the Rent $7.00 button below. This exhibition ended on February 22, 2021, so is no longer available to rent, but you can see a sampling of the works by watching the trailer below.

Submissions for the second online exhibition are due on February 8, 2021 at https://dioramaroom.com

Snap, crackle, popped pecan

Metal nutcracker on wheels

Grackles eat the crumbs

Short Films : Call for Entries

Haiku Flash Studios has just completed a poster, website, Vimeo, and Facebook pages for our new sister organization, Diorama Room, LLC, which may eventually become a non-profit and get a physical space if the online exhibitions are a success. Check it out:

Spending more time outside? Shooting some cool video? Spending more time in your film making studio? Submit your <5 minute shorts to the “Tune in to Green” online film series by November 8th! See the Call for Entry details at: https://dioramaroom.com

Light crashed to the ground

Like a surfer by a wave

Sprinkler slammed firefly

Neighborhood hawk flies

Low, clutching a heavy load…

Grown squirrel for lunch